This is it. I'm releasing what happens in the room. What I have held sacred for so long is now out in the open.
Why?
Because I have officially lost it. BREATHE TYLER BREATHE!
From the beginning:
As soon as I walked up to the callback group, I saw a familiar ginger boy from Northwestern. Unlike me, he was kind of a big deal at NU. The girls loved him, the guys loved him, the faculty loved him. He was that kid that admits he's "not a singer" but still manages to star in all of the musicals. You want to hate him, but then he smiles at you and you're like "NOOO I'M HELPLESS I LIKE YOU MUST HATE YOU I LIKE YOU". He didn't even audition for
We the People...they just asked him to come to callbacks. Story. Of. My. Life.
Then I turned around and saw NU Boy #2. GREAT! I was back at college. NU Boy #2 informed me the casting director was a Northwestern grad and loved calling in NU kids. Awesome, because for a split second I thought I was called back for being talented. Now I could just rest on my non-existent laurels.
I sat between my two fellow graduates and listened to them complain about their agents and managers, and just when I was going to throw in my reservations about my agents and managers I realized I didn't have any to complain about...
which is probably why I'm sitting at a callback for the 3rd (count them THREE) national tour of a children's musical.
And of course, like any great story, all 3 Northwestern boys were called back for the same role. GREAT. So now, when I don't get it, I can feel right at home. The other two went in first.
We were told to "bring the energy". Something about that phrase made me snap inside, so when it was my turn...I went ka-ray-Z.
I kind of blacked out but I think it went a little something like this:
Me: Third Northwestern boy in a row! Whoa!
Casting Director: That's what I like to see
Me: WILDCATS!! WOOOOOOOO!!!! (along with the wildcat claw of course). LET'S DO THIS!
insert audition cut here...during which I realized I was throwing the sheet music. I'm not sure which lyrics I felt motivated this, but once you start you can't half-ass.
then come the sides. The reader was like a
really really good actor and I'm not sure who allowed him to be a good actor since I think the only job of a reader is to give you just enough to go off of so my impulse was to punch the guy and say "WELL SHIT why don't YOU just be in the g-damn show". Because
seriously? Anyway, I did a lot of headbanging and rock-star jumping and a lot of those bull-horn hands I imagine 80s rock stars do but have no evidence...
this was going real swell...so swell they asked me to sing another song...then they asked me to prepare to read for another part...
OH BUT WAIT!
Just before I could leave the room, one of the ladies asked about my limbo champion days. For those of you who have not seen a copy of my resume it says "Undefeated limbo champion (9 years)" and I'm not even joking. So, I launched into stories of my limbo competition wins and gave them a quick demonstration of my winning technique.
well if that doesn't seal the deal, I don't know what will
The next role I sang for consisted of a song in which the character dresses in drag and sings in falsetto. We were told not to worry about that and just bring in a strong character...so I decided to gospel-belt it like a black woman because hey, if they weren't going to cast me at this point they were at
least going to remember me. And when you have pipes like mine and your pride level is ringin in at zero, you might as well release your bowels of shame and just blow.
and for some reason, they still let me attend the dance call.
Oh wait, they let everybody attend the dance call? OK that makes more sense.
So I danced. I danced like I was one of 5 people in the room that could. And it was good. Who knew you could break a sweat at a dance call for children's theatre?
Afterward, we were all sent into the hall in case they needed to see anything more...they didn't.
SHOCKER! Though one boy was sent to get measured. Everyone else assumed that he was probably chosen for the role, but I knew he was probably too small to fit the costumes and there was no way this production had the budget for alterations.
Eventually, after 4 long hours of American pride and singing about the Freedom to Petition (I have that? Super...) I got to leave Chelsea Studios.
When I exited the subway at 79th street, it began to sprinkle. The mist actually felt refreshing on my tired face.
And then the heavens opened up to downpour. As I walked home through the flooded streets, shivering in the cold, saturated from head to toe, I thanked God and NYC for making my life decisions that much easier.
Hoping for the understudy,
TJB: Making It